Why I am so Passionate About This Club

dan stromstadThis month I thought I would explain why I am so passionate about this club. Every month I look forward to our meetings with excitement. What a silly old guy I am. Why would a man feel this way?

When I was in junior high school my favorite class was shop. In seventh grade we did a variety of projects with many different materials. Metal, leather, plastic and wood were used. In eighth grade we were able to pick our projects and I made a coffee table of walnut that my folks used until they were gone. I also made a small chest of drawers which is in my home now. In ninth grade we were able to use the lathe for the first time since it was dangerous to use. I was so intrigued that I made many projects on the lathe. The first bowl sits under our phone in the kitchen. It sits on a board that I turned and carved to fit both the bowl and a letter opener and it was returned to me as well when my folks had no more need.

That summer we visited an uncle. He had a lathe he had never used and he gave it to me. My dad put it in the trunk and we took it home from Southern California. I bought lathe tools from Sears or Montgomery Ward with earnings from my paper route. I still have those tools on my tool cart for memory sake. With those basic tools my dad and I created all sorts of things over the years. Then I left home for college. Before college was over Gail and I were married just before our senior year began. My lathe stayed at my parents home until my father was gone.

I brought my lathe home to Issaquah and our boys and I made a baseball bat. Then it sat as life went on busily. While visiting Port Townsend I saw wood pens in a store and I said to Gail I could make those and she giggled because I said that quite often about lots of wood things. A few years later I wondered into a woodworking store and spotted kits for pens and asked the owner what was needed to make a pen. He gave me a two minute lesson and a list of items needed for the lathe. I bought all the accessories and that is when my lathe interest reignited. I actually had to sit down and spread my legs in order to hold the lathe still since it was mounted on a rickety metal stand with casters by my father. I made quite a few pens in this way and finished them with wax.

Chatting with a customer about my lathe experience, he mentioned that he rebuilt old lathes and we worked out a deal that really benefited him and I had a larger lathe. It was less than wonderful, but I managed to use it to make all sorts of things and a multitude of pens. My friend Tom Bageant had a lathe and he bought a chuck that expanded to hold things and I borrowed it and made my first bowl since junior high. It was extremely poor at best, but inspirational. After much thought I decided to purchase a real lathe and bought a General lathe with a headstock that rotated and moved along the lathe bed. It was wonderful.

Tom and I were at Woodcraft in Seattle when Jack Wayne encouraged us to come to the South Puget Sound Woodturners Club meeting. We had heard of the woodturners club many times and thought it was probably a few old guys sitting around telling stories of the past. After Jack’s encouragement we decided to go to the meeting. We were stunned at what we encountered. There were over fifty wonderful turnings on display. There were over a hundred folks at the meeting, all ages and both men and women. My friend from the past, Lynn Olinger, was at the meeting and we had not seen each other in several years. We rekindled our friendship. Tom and I joined that night.

That was the beginning of a wonderful journey. One of the first meetings Dale Larson was there as a demonstrator and taught about turning wet wood and bowl turning in general. I took notes and tried to do this at home with limited success. I then went to a few sawdust sessions and learned from Eric Lofstrom, Jim Cotter and Bob Sweazey. Eric taught me how to sharpen tools by hand without a jig. Bob taught me about cutting the outer edge of a bowl to size and shape before going deeper into the bowl to maintain stability. Jim Cotter taught me all sorts of general turning information. He continues to be a wonderful source of help to me as president.

After spending an afternoon with Eric at his home I was inspired yet again. The next meeting at Show and Tell I displayed this little bowl that I had made using techniques that Eric had shown me. At the meeting Dave Schweitzer taped me on the shoulder and suggested that I spend some time with him. He thought he could teach me some things that I had not learned yet. Wow! What a great experience.

I spent an entire day with Dave listening and learning and turning. I was there for over eight hours. Dave jokes now about how he and Lu thought I would never leave. After returning home I was definitely inspired and turned around 250 wet wood bowls. That way I was able to practice the techniques that Dave had taught me. By the time some of the bowls had dried and were ready to be returned my skill level had improved. After turning another fifty or so bowls my techniques were far more refined.

I spent more time with Dave as he helped me refine my methods. Then Dave did an all day demonstration at Nancy Sweazey’s. I learned even more. The thing that stuck in my head was Dave saying that if it took more than twenty minutes to sand a bowl he figured he had not done a very good job of turning it to begin with. This was another challenge for me to improve my techniques to accomplish using less sand paper and less time to finish a bowl.

Now, after many demonstrations and learning so many things, it is always exciting to come to our meetings. No matter what is being taught one can always take something from the teaching and incorporate it into what you’re turning at home. Tom Bageant is a fine example of doing that with his turning. His light houses, and now his light house pepper mills, are a result of using the many techniques he has learned at club meetings over the years. I can hardly wait to see what he will come up with next.

Now that you know why I am excited about coming to our meetings I hope that you too are inspired to come and learn and use what you have learned in your turning.

See you at the next meeting.

Dan

June American Woodturner

Have you seen the latest issue of American Woodturner?

American Woodturner is the official publication of the American Association of Woodturners. You can buy it at most woodworking stores and better book stores. Or even better, you get it free with your membership in the AAW.

The current issue has informative and relevant articles. A feature article is about a year long project to develop a program to teach wood turning to visually impaired and blind people. As you can imagine, there are many issues with teaching our craft to someone who is blind, but they have developed and have been testing this program and will make it available in the near future. As the SPSW has members who have been losing their sight, so this program may be of interest to them.

There is an extensive article by Joshua Friend on kiln-dried, air-dried or green wood and how to deal with each for turning. There is an accompanying article by Larry Zubke that describes how he built a kiln from an old chest freezer.

Looking to try a new technique? Richard May has written a tutorial on turning inside out candle holders.

The AAW recently held its annual symposium, but there are also symposiums held all over the world. This issue of American Woodturner has a review by Malcolm Zander of the inaugural New Zealand International Turning Symposium.

There is much more in this issue, several project tutorials, shop tips, turner profiles and AAW news.

June Demonstrator – Bob Sievers

Bob SieversThis month’s demonstrator is our own Bob Sievers. Bob will be demonstrating his technique for turning bird houses.

birdhouse1Bob is a member of the American Association of Woodturners, the South Puget Sound Woodturners and the Seattle Woodturners. He likes to experiment with new techniques he sees at symposiums and demos that he frequently attends. Bob enjoys enhancing the natural beauty of wood on a wood lathe and has been turning wood for 25 years. In recent months you have seen several examples of his Rose Engine turning. For years, Bob photographed our Show and Tell turnings. He recently had to retire from this position because of his failing sight. Bob is a remarkable and talented artist.

Congratulations to David Wahl – AAW 2013 Honorary Lifetime Member

David WahlTwo of Dave’s joys in life are woodturning and helping people. When he can help woodturners, he is in heaven. His legacy is not just what he has done for the AAW, but what he has done for the family of woodturning. Family is always the word Dave uses when talking about the woodturning community.

The maturation of the AAW from operating out of a cigar box on a card table to the multilevel organization it is today is the result of initiatives started 15 years ago by Dave. Creating the position of Executive Director was a pivotal event in the history of the AAW. When Dave first came onto the Board in 1997, he recognized that a constantly changing board of volunteer members didn’t have the time, expertise and continuity to offer new programs and better services to AAW members. Dave initiated the transition from a working board that moved lathes in and out at the annual symposium and selected t-shirt colors to a planning board that set forth goals and a vision for the organization and then charged a professional Director to execute those objectives. Dave will be the first to say credit for the AAW becoming a professionally run organization belongs to a lot of people, but his vision of a better way of doing things is how the journey began.

Dave was president of the St. Louis AAW chapter, and helped organize one of the first regional symposiums there.

Dave is also a founding member of the Collectors of Wood Art, and organized the CWA Forum in Santa Fe. He is always working to get more galleries and museums to show art that has wood elements. His promotion of woodturning and wood art is tireless. Dave and Suzy’s home has always been open to any woodturner, artist, collector, museum director, or a friend of a friend. The Wahl Home For Wayward Artists has been in continual operation for almost 20 years. There were very few times that a visiting collector or gallery owner or museum director didn’t get a turning lesson in Dave’s shop. Dave says “The most fun about being an AAW member is helping and teaching beginners to turn and seeing the look on their faces at their first success.”

[note]This article is from the AAW Newsletter[/note]

Upcoming Woodturning Events

Creativity in Woodturning

The Woodturners of Olympia (WOO) are holding their annual symposium on July 27th. This year’s theme is the Art of the Craft with John Jordan and Jack Wayne. Cost is $100 and includes a nice lunch.

John is known primarily for his textured and carved hollow vessels. John has been featured in nearly every major turning exhibition the past twenty-five years. He will also be presenting daily workshops on the 28th – 31st.

Jack is a former adrenaline junkie, who moved from racing power boats, motorcycles and dragsters to woodturning in 1996 and has never regretted the change. Jack has served on the board of the Seattle Woodturners for almost all the time since, and two terms as President, five terms as Vice-President. Jack has been the primary Woodturning Instructor at Seattle Woodcraft for 12 years, and initiated the Woodturning Program at Pratt Fine Arts Center as well.

More info can be found at the Creativity in Woodturning web page.

SWAT

The SouthWest Association of Turners are holding their annual symposium from August 23rd to 25th in Waco, Texas. It looks like they have a great lineup of demonstrators, including:

  • Jimmy Clewes on a square oriental box, and platter including design and ergonomics also colored rimed platter
  • Ashley Harwood on push-cut bowl turning, and turned rim and foot design
  • Marilyn Campbell on making a band saw inlay, and the simple
  • Don Derry on romancing the curve, and reverse laser hollow turning
  • J. Paul Fennell on Turning hollow forms with home made tools, and a toolbox of embellishment techniques to spark your creativity
  • Dixie Biggs on simple surface treatments, and need some relief?

They also have a nice lineup of regional demonstrators.

You can get more in formation on the SWAT Symposium webpage.

Rock Mountain Woodturning Symposium

The Rocky Mountain Woodturners are holding their 15th Woodturning Symposium on September 13th – 15th, 2013. This year’s symposium features David Ellsworth, Binh Pho, Kip Christensen, Kirk DeHeer, Jason Schneider, Michael Blankenship, Rick Orr, John Giem, Ashley Harwood, Dale Bonertz. The symposium will be held at The Ranch / Larimer County Fair Grounds in Loveland, Colorado in the McKee building.

Great Falls Woodturners Symposium

The Great Falls Woodturners are presenting Mike Mahoney on September 21st and 22nd. The symposium will be at the Great Fall College. More info at the 2013 Symposium Page.

Turning Southern Style

The Georgia Association of Woodturners is presenting their 19th Turning Southern Style Symposium. Featured demonstrators are Stuart Mortimer, Cindy Drozda and Jerry Kermode. Also demonstrating will be Nick Cook, Kirk DeHeer and David Nittmann. There will also be vendors, including a demonstration room dedicated just to tool vendors, hands-on area, instant gallery, banquet and auction.